Cécile B. Evans (b. 1983, Cleveland) is an American-Belgian artist living and working in London. Evans’ work examines the value of emotion and its rebellion as it comes into contact with ideological, physical, and technological structures. Recent selected solo exhibitions include 49 Nord 6 Est – Frac Lorraine, Metz (2019-20), Museum Abteiberg, Mönchengladbach (2019), Tramway, Glasgow (2019), Chateau Shatto, Los Angeles (2019), Museo Madre, Naples (2019), mumok Vienna (2018), Castello di Rivoli, Turin (2018), Galerie Emanuel Layr, Vienna (2017), Tate Liverpool (2016-17), Kunsthalle Aarhus (2017), M Museum Leuven (2017), De Hallen Haarlem (2016-17), and Serpentine Galleries, London (2014). Evans’ work has been included amongst others at Whitechapel Gallery, London (2019), Haus der Kunst, Munich (2018), Mito Art Tower (2018), Renaissance Society Chicago (2018), the 7th International Moscow Biennale (2017), the 4th Ural Industrial Biennial, Ekaterinburg (2017), Galerie Kamel Mennour, Paris (2017), Louisiana Museum of Modern Art, Copenhagen (2017), the 9th Berlin Biennale (2016), the 20th Sydney Biennale (2016), Fundació Joan Miró, Barcelona (2016), and Musée d’Art Moderne de Paris (2016). Evans’ films have been screened in festivals such as the New York Film Festival and Rotterdam International. Public collections include The Museum of Modern Art, New York; The Rubell Family Collection, MiamiM Whitney Museum of American Art, New York; De Hallen, Haarlem; Castello di Rivoli, Turin; Louisiana Museum of Modern Art, Copenhagen; FRAC Auvergne, Clemont-Ferrand.